Perhaps out of curiosity or to fend off tedium, I’ve often made hybrid and unicase caps for the typefaces I’m drawing at the time. I’ve always kept them to myself because they’re never usually more than a few key letterfoms. When the TCDC project came along, it seemed like the perfect time to put some of these ideas to use.
This image starts at the top with a leftover unicase followed by the spin-offs and mutations it took along the way. Notice the pen-like influence in the capital D and R on the third line. This was an attempt to incorporate the fluidity of the capital E into other forms.
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